June 30, 2024

It has been 122 days since The Electric Cinema was forced to close its doors due to its eighty-eight-year lease running out. Glenbrook Property Developers now plan to demolish what was the oldest working cinema in the UK and replace it with a fifty story tower.

You’ve might have seen the news, maybe you signed the petition, and you might even have signed up to our newsletter.

Or maybe not. I mean, why should you even care?

What possible reason is there for independent cinemas to operate in a world filled not just with multiplex cinemas, but streaming and blu-ray?

Well, read on to find out why independent cinemas hold a unique and vital role in the cultural and social fabric of our communities.

  1. Cultural Diversity and Artistic Expression
    Independent cinemas often screen films that are not shown in mainstream multiplexes, including foreign films, documentaries, and independent productions. At The Electric I got to see Seven Samurai, The Wickerman, 2001, Mulholland Drive, and three silent films with live piano accompaniment (to name just a few) and all in an auditorium where every seat was occupied by similarly passionate fans. There’s nothing quite like it.
  2. Support for Independent Filmmakers
    Cinemas like The Electric provide a platform for independent filmmakers to showcase their work. Without independent cinemas, many unique and innovative films would struggle to reach audiences. This support helps maintain a diverse and vibrant film industry.
  3. Community Engagement and Social Space
    Independent cinemas often serve as community hubs, hosting events, discussions, and film festivals that bring people together. They foster a sense of community by providing a space where people can gather, discuss, and engage with art and culture. You don’t get that at Cineworld.
  4. Preservation of Cinema Heritage
    Many independent cinemas are housed in historic buildings, (like The Electric) and have unique architectural features that contribute to the preservation of cultural heritage. They often have a nostalgic value and offer a different, more intimate viewing experience compared to modern multiplexes.
  5. Economic Benefits
    Independent cinemas contribute to the local economy by attracting visitors to the area, who then spend money at nearby businesses such as restaurants, shops, and bars. Go to the Odeon and you’ve got everything under one roof, and there’s nothing wrong with that, but it’s not exactly contributing to the local economy, is it?

If we let Glenbrook have their way with Station Street and The Electric, we will be left with another anonymous tower block of glass and steel filled with apartments that nobody can afford.

And the only place left to watch a movie on the big screen will be your nearest multiplex, where you will have a choice between Beverly Hills Cop 9, or Fast and Furious 385.

About the author 

Ken Preston

Ken Preston is the author of over twenty novels, a creative writing teacher, editor, and passionate movie fan. Before The Electric closed, it was his second home.

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  1. Couldn't agree more, Ken. I've been going to the Electric for over 30 years, and have always said it has (i refuse to use the past tense) the most diverse programming this side of BFI Southbank.
    It's latest incarnation of the last couple of years has just been a joy, much as i liked it's formerly
    slightly shabby version.
    I went to Glenbrooks public whitewash, er, I mean "consultation", and took their comments about it's continued existence being part of their plans with a huge pinch of salt.
    It's up to "Save The Electric" to live up to it's name.
    Glenbrook were rather keen the Electric not get listed status, and there was some buzz about progress towards that a month or two back.
    Anyone got the latest on that ??

    1. Thank you for your comment, Ray. I agree, the Markwick’s did an amazing job with the Electric, although I do miss the old, scary Victorian toilets.
      English Heritage are still considering the listing. Hopefully they will make their decision soon.

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